I seem to be drawn to generically ambiguous, uncut, reflexive, abecederian works. I've been reading Anatomy of Melancholy, for chrissakes.
But it was hard for me to get started on Tan Lin’s book plagiarism/outsource, &c.(zasterle) – I re-read the first few pages a few times before I had my sea-legs – but the farther I got into it, the smarter it seemed. Call it conceptual poetry or performance art, verily, it enacts the problems with “intellectual property” and the culture it creates. For starters, it’s really authored by Lin and eight other people (seven workshop participants and a graphic designer). Secondly, it’s copylefted, not copyrighted. Thirdly, it takes the liberty of reproducing large chunks of (theoretically) open-source text (about Samuel Pepys), along with chunks of (theoretically) copyrighted text and images (about Heath Ledger, amongst others).
Hey, take it to the Supreme Court . . .
There is also a fair amount of source code/html mark-up – and google search results, etc.
“As Pepys and Heath and Helena and Mike and Jean, and Ina, and Soo-Young and Jennifer, and Tamiko noted, because ‘anything that can be entered into a computer can be reproduced indefinitely
“each morning at the Pickwick was narrowly descriptive and ‘as inert as possible,’ subject to erasure or re-distribution
“i.e. her feelings like his were hand-written or like everything else approximate or obstreperous and narrow like an itinerary post(ed) opposite the reception desk
"i.e. their (their) writing (writing) was like (like) an elevator opening
"as a result
"Heath: or Samuel: was not ‘ something inserted into the video: they were watching on You Tube ‘ ‘ (i.e. storage) but something taken away or outsourced (dissemination), i.e. the process was more like erasing each other (plagiarism) rather than viewing.”
This from section (?) 1, “unread novel.” The “Notes Towards the Definition of Culture” part of the title of the book, is a sho-nuff treatise:
“likewise, with a book she was carrying around all that week Heath died,
“you shouldn’t have to read it because everything in it has already been read by her,
“in this sense, the death is what intellectual property lawyers term ‘derivative;’ [sic] it encourages no detrimental reliance i.e. it would not render or caused you not to read something else since it is, technically, ‘something else’ subject to non-writers who are readers and any future non-readers who are writers working in a domain of what relaxed copyright advocates call @copyleft and so they decided because everything is plainly beautiful and
“indiscriminately ugly in unlimited distribution,
“the non-logocentric, non-literary project shares much with what George C. Williams, the evolutionary biologist, describes as the principal functioning of the gene: ‘that which segregates and recombines with appreciable frequency’ . . .”
And the blocks of project Gutenberg text (not least the “small print” copyright instructions and disclaimers). And the “Entertainment Story” is a damn good imitation of an entertainment RSS feed, if it isn’t really one.
they or the texts they are writing can be [mythical] like a [tourist] destination
they can be [programmatic] without being confined to a single practice,
< XTRA GREEN Green Tea Beverage Mix >
notice the lack of quotation marks
This is a heady blurring of authorial authority and ownership. So when I say:
genre = brands,
you don’t know if Tan said it or Michael or Ina or Sooyoung or Jennifer or Helena or Tamiko or Jean or Danielle or Heath or Samuel or Joe. Or all or none.
[“I,” for one, definitely believe it to be true]
"In this system, creating content is less useful than passing on existing content or re-creating a context for re-use. Plagiarism, despite its 'contested normative significance' is one parameter to define this recontextualizing mode. Ditto with outsourcing or image defamiliarization. Having sex changes the group dynamic."
– “Emily,” from Historia de mi Vida Triste
I’m glad I wrote that in my blog, b/c what better place for matter of uncertain authorship. Yo, originality is the last remaining waste product of creative practices and remains to be eliminated within aesthetic production and/or distribution systems.
What he said.
TOP STORIES “In his debut as a Times Op-Ed columnist, Bret Stephens says reasonable people can be skeptical about the dangers of climate change” - … oh well, I guess that’s true and I can verify it by the fact that there are reasonable people who believe that white people are more intelligent than oth...
1 day ago