some later Rae Armantrout
deviance -
blues songs
poetics of questions -
necessarily open-ended
singularity v. universality
but Narcissus - Narcissus -
didn't notice!
(her) (like Echo?)
(so as to avoid originality)
I can't help thinking
of my toyota, here -
self-absorption is bothered
by imitation?
*
Is this "cerebral" poetry =
compared to Notley - ?
(cerebral palsy)
creepy -
flash of perception -
*
or see
- to Hades? or earth?
insincerity of particulars?
transcendence
(things as they are)
*
all else
e.g., the dead - false syllogisms
empty - (potentiality)
(of what?)
*
- hmmm . . .
*
every poem a world-view
a connoisseur of vacancies - good description of her - title
for a biography?
(or lines)
who? - She
her?
(not "narratives")
breaks up
in the middle distance
like
these
poems?
*
electrical
pole/ wires
(the circumstance's
word is gone)
*
the late work - hers?
right? schtick
another form
of perform
*
the other - the third
who walks beside you
(in memory)
(a tough audience!)
*
(sameness does)
deja-vu
to? -
*
engines - vice boxes [here I meant "voice"] - or
syrinxes
(which it has, in speaking a
word)
(thtat's what words are, after all)
the "managed poem"
(im-)
*
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