Reading the Arcades Project, I have to wonder what would have caught Benjamin's eye (and other senses) had he been working on the 21st c. US instead of 19th c. Paris. I have to think that the ubiquitous voice synthesizer would be one item on his list. Why is it so pervasive in pop music? Is it the desire to have the natural fed back in distorted form? In order to denature the voice (and, by implication, the body), or to hear the natural distorted by the machine, so that it corresponds to the experience of everyday life in capitalist society, blah blah blah? I have to think it would be more original than all that. Or maybe that's the problem - the New, the desire for novelty, which relapses into spleen afterwards.
What are some other things WB might fix upon? Vitual reality of all sorts, surely. Environmental bumper stickers. The NBA playoffs in the summer. Facebook, of course.
Literarisches Events (in and around Lawrence KS)
- TIM LANTZ, BECKY MANDELBAUM & TED KRITIKOS, Lawrence. Thursday, August 28, 7:00 p.m. Raven Bookstore, 6 E. 7th St.
- DENNIS ETZEL, JR. & RACHEL CROSS. Lawrence. Thursday, September 25, 7:00 p.m., Raven Bookstore, 6 E. 7th St.
- TONY TRIGILIO. Lawrence. Thursday, Oct. 2, 4:00 p.m., English Room, Kansas Union, KU Campus. FREE.
- CALEB PUCKETT & JUSTIN RUNGE. Lawrence. Thursday, October 16, 7:00 p.m., Raven Bookstore, 6 E. 7th St.
- KRISTIN LOCKRIDGE & ROBERT DAY. Lawrence. Thursday, December 4, 7:00 p.m., Raven Bookstore, 6 E. 7th St.