Reading the Arcades Project, I have to wonder what would have caught Benjamin's eye (and other senses) had he been working on the 21st c. US instead of 19th c. Paris. I have to think that the ubiquitous voice synthesizer would be one item on his list. Why is it so pervasive in pop music? Is it the desire to have the natural fed back in distorted form? In order to denature the voice (and, by implication, the body), or to hear the natural distorted by the machine, so that it corresponds to the experience of everyday life in capitalist society, blah blah blah? I have to think it would be more original than all that. Or maybe that's the problem - the New, the desire for novelty, which relapses into spleen afterwards.
What are some other things WB might fix upon? Vitual reality of all sorts, surely. Environmental bumper stickers. The NBA playoffs in the summer. Facebook, of course.
Literarisches Events (in and around Lawrence KS)
- ARE THERE REALLY NO EVENTS INVOLVING EXPERIMENTAL AND INNOVATIVE WRITING IN THE KC/LAWRENCE AREA UNTIL MARCH?
- MARIA DAMON. Lawrence. Presentation, Wed. March 5; Talk, Thurs., March 6, 2014. KU Campus. Details forthcoming. FREE.
- HEIDI LYNN STAPLES, TIM LANTZ, & RAUN KLASSNIK. Lawrence. Sunday, March 9, 2014, 5:00 p.m. (preceded by open mic). Eighth Street Taproom (x New Hampshire).
- SOMMER BROWNING & NOAH ELI GORDON. Lawrence. Sunday, April 13, 2014, 5:00 p.m. (preceded by open mic). Eighth Street Taproom (x New Hampshire).
- CRYSTAL BOSON, NATHAN HOKS, & ROGER REEVES. Lawrence. Sunday, May 4, 2014, 5:00 p.m. (preceded by open mic). Eighth Street Taproom (x New Hampshire).