Please Write One of Each of the Following . . .

A “motion” poem
A spoiler poem
A giddyup poem
A natal poem
A stereo poem
A theriomorphic poem
An orthoscopic poem
A steroidal poem
An e-motion poem
A contested poem
A pledged poem
A poem in thyrsids
A poem in crenelated stanzas
A poem in frosted couplets
A poem in a namby-pamby register
A wombly poem
A poem containing empids
A poem in “stacked” stanzas
A septiva
An ocharina
A “peasant” mandalay
A choirette
A bivouaced poem
A lost poem
A “boomerang” poem
A cavernous poem
A poem generated via a Madurzial operation
A baronial snivella
A shackled sonnet
A list poem
A stop poem

Note on Notes on Notes on Conceptualisms

The central tenet of conceptual art is that the concept - the idea behind the art work - is more important than the work itself. If you have the idea that gave rise to the work, you don't need to see or read the result to "get" it.

Ergo, now that I know the concept behind conceptual art and writing pet se, it means that I don't have to read or see any conceptual art, or think about any conceptual writers or artists, or their critics, ever.

QED. . . . And what a relief!