That title is kind of deceptive - it's really what I want to write about. But I'm bushed, so I'll just write about what I'm going to write about. That way I'll continue my pledge to post every day for a month.
Anyway: the status of evidence is vexed enough in a courtroom or laboratory, places where the status and narrative placement of evidence is set according to fairly inflexible rules. What, then, can one prove in a work of literature, using evidence - i.e., quotation, fact, photograph, etc. I'm very interested in those places where evidence as intractable, obdurate thing resists the narrative - or points in a different direction.
Lilith and an untraumatized man
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"Well, he's not dead," said S, when I asked what happened to Charlie Kirk.
"You're not so* foolish* as to believe that kid did it, are you?" he
demanded...
1 day ago
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