I just got the new copy of NO: A Journal of the Arts. Like the previous issues, it's very swish - high production values and quality writing. It seems like NO started by publishing a few famous poets alongside "emerging" ones (and some who were a little of both). Then they started publishing more famous people, but also including much more visually adventurous poetry than in previous issues(poetry including pictures, even stitching; poetry demanding different typefaces; or a "landscape" page orientation).
This issue is pretty much composed of really famous poets (mostly over 60). And, while there's some dandy reproductions of visual art works, there's not as much of a visual sensibility to the poems (certainly not much use of the graphic possibilities possessed by a well-funded journal).
This is not to say that it's boring - it's not, by any means. There's a lot of really exciting, interesting writing by those really famous poets. But I do hope they continue to make room for some less-well-known, off-the-wall stuff - especially from poets who include pictures or push the spatial and graphic potential of the art nowadays.
Lilith looks for chem-trails (but it's cloudy)
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As Lilith led me by (her) nose to the guard shack this morning, S. popped
up from his seat where he often sits out of sight. "Keep your eye on the
sky!...
15 hours ago
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