That title is kind of deceptive - it's really what I want to write about. But I'm bushed, so I'll just write about what I'm going to write about. That way I'll continue my pledge to post every day for a month.
Anyway: the status of evidence is vexed enough in a courtroom or laboratory, places where the status and narrative placement of evidence is set according to fairly inflexible rules. What, then, can one prove in a work of literature, using evidence - i.e., quotation, fact, photograph, etc. I'm very interested in those places where evidence as intractable, obdurate thing resists the narrative - or points in a different direction.
You're the robot!
-
A and B were talking just outside the guard shack, so Lilith and I
approached. B said he was fine, well not fine, and he pointed at the new
camera set on ...
2 weeks ago
